But this was always an awkward designation, since no artistic genre can truly be defined simply by the socioeconomic standing of its production company. In its original meaning, circa 1980, the term was descriptive and literal, signifying an artist's independence from the major labels, which dominated the industry at the time. Though to be honest, I'm not even sure this is indie music, as I've never quite been sure what indie music itself is. And I love how, at bottom, it's a song about seeing yourself in one of your idols, because that seems to me to get at something of the song's own appeal, and of the appeal of indie music more generally: its ability to close the distance between artist and audience and make greatness feel within our reach. It's a wry and not overly serious song, but still I marvel at it, for the economy of its lyrics and how easily they're fitted to its tune. As the singer puts it, "I love drinking too / I love drinking too". In this brief window, Michael Jordan, for all his phenomenal prowess, wasn't so different from you or me. Rather, the singer is dwelling on this incident because they find in it a moment of recognition. But rest assured, the point of this song is not to advance some truther conspiracy theory, or even to set the record straight. You might rightfully wonder where the singer is going with all this. It's a peculiar subject matter for a song to take up. Jordan had just been having a little too much of a good time that night. But as the singer tells us, "it wasn't a pizza that poisoned him in Utah". See More The diagnosis is food poisoning, presumably brought on by the pizza he had ordered the night before – a pizza that, legend has it, was spiked by the local Utah joint that had prepared it. He's sweating, he's weak, he can barely sit himself up. The Chicago Bulls are in Utah, it's the night before Game 5, and Michael Jordan, at the peak of his career, is keeled over on his hotel room floor. The record begins, naturally enough, with a song about the 1997 NBA Finals. And after that, if he found nothing and no one - which he suspected would be the case, for if there were a human adversary at work here he must be extremely clever and unlikely to let himself be discovered - then Wyatt must simply deny him access to the room of the machine, which he could do easily enough.Boat Songs by MJ Lenderman, released by Dear Life Records in 2022. One sure way to check for outside interference would be, quite simply, to search the house from top to bottom. And at 6.30, after a hot shower, he allowed himself to fall asleep for two hours, only waking up at Tern's insistent ringing at the doorbell.īut between times, in the room of the machine. Psychomech would do the job, he was sure. he felt an almost irresistible urge to check Garrison's condition, but somehow managed to fight it ?off. Also, something of Psychomech's feeding on him: that is to say, he knew that the Machine had somehow drawn on his strength, or that he had applied his strength so as to 'make repairs' in the Machine.Īt 6.00 A.M. Now Garrison could only remember the food and drink (though not the actual sensation of eating and drinking), and something of the feeling of well-being which had come afterwards. The desert had been just such a crisis an episode which, like the others before it, had now all but passed into the limbo of lost memories. Garrison had known it, had instinctively sensed it, that Things had started to go wrong some time ago. They seemed to weigh on him with the weight of the Universe. Which meant that there must be someone else in the house. The sin itself might be forgotten, but the darkness, the stifling closeness, the Scuttlers in the Shadows - these things he remembered. The cupboard under the stairs, the spiders which he had known inhabited that place, the unknown or forgotten sin (against what or whom he could not say) which had prompted his punishment. He remembered it now, remembered how it frightened him. It seemed that Psychomech could only help him - and conversely that he could only help the Machine - in a real crisis.Īs a boy he had been shut in. Not before that time and never since, until now, had Garrison suffered claustrophobia.ĭraining feeling which came whenever the Machine suffered a power loss and he had been powerless to do anything about it.
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